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ItвЂ™s just the traditional part of it that takes a lot of time: the tuning and finding the right instrument for the arrangement.вЂќ The mixing process isnвЂ™t at all complicated вЂ“ I donвЂ™t use extraordinary plug-ins or anything on the tabla. вЂњThen, in terms of the processing, I roll off all the low end, and add a lot of presence and just a bit of plate reverb, and thatвЂ™s about it. Even in the same octave, we have a lot of options. The arrangement is bass- and synth-heavy, and the tabla has to cut through, so we have to find the right texture for it.

вЂњWeвЂ™re allowed to use a dominant tuned tabla, so in the TaalВ track, the tabla is tuned to the fifth of the tonic and not the tonic вЂ“ the tonic of Taal is G, but my tabla is tuned to D. вЂњWhen we select a tabla, we have to find the right tuning, first of all, and different tablas have different textures, even when theyвЂ™re tuned the same,вЂќ Yash reveals. Steeped in tradition and technically complex, tablas are not an instrument to be trifled with, and fitting one into the overtly electronic setting of the Maschine Ensemble wasnвЂ™t straightforward. YashвЂ™s stage setup also incorporates a single tabla, which he records and loops on the fly as part of the performance, adding an organic instrumental angle and another layer of visual interest. вЂњDuring the performance,вЂќ he continues, вЂњI give a click and cues to the group through a separate output, and make sure that everyone is aware of their parts.вЂќ IвЂ™m really working hard towards that, though. In the future, I want all 15 people to be in play mode, but weвЂ™re not even four months old at this point.

Dont see maschine expansion software#

вЂњTo start with, I had to teach them the very basics of the software and the hardware, and thatвЂ™s the reason IвЂ™m the only one in play mode right now. вЂњI did the initial composition, production and mixing for the track, then we created the required groups, sounds and FX individually, to suit the strengths of each ensemble member,вЂќ he describes. Currently, his is the only MASCHINE in вЂplayвЂ™ mode, as the other 14 members perform their parts entirely live using the MASCHINE pads.

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The pool of sounds Yash drew on for his reworking of Taal comprised of synthesized tones from the MASSIVEВ and PRISMВ synths, plus вЂњa mixture of my original samples, NI libraries and ExpansionВ sounds, and samples provided by ensemble members.вЂќ Positioned at the centre of the ensemble, Yash himself runs the вЂmasterвЂ™ sequences that guide the performance, triggers live phrases and sequences using three MASCHINEs вЂ“ STUDIO, MIKROВ and JAMВ вЂ“ and picks up a mic at various points to throw in live vocals.

Dont see maschine expansion movie#

вЂњI chose the movie album Taal,Вќ directed by Rahman, which is considered the greatest Bollywood soundtrack of all time, and still seen as fresh and modern.вЂќ Rahman in a unique way using the latest music technology,вЂќ he says. RahmanвЂ™s seminal soundtrack to the 1999 hit Bollywood movie Taal, put together by Yash. The EnsembleвЂs inaugural performance at the KM Music Conservatory was a live remix/mashup of A. A band of 15 MASCHINEВ musicians, coming together as a cohesive finger-drumming whole, this unique performance outfit was formed after Native Instruments donated a number of MASCHINEВ units to KMMC, as part of the Native Instruments India Tour 2017, organized by local distributor ProMusicals. Putting equal emphasis on traditional instrumental training and the development of studio-based production skills, it houses a diverse range of faculties and groups, among the most exciting and individual of which is the KM Maschine Ensemble. Rahman вЂ“ best known internationally for his Oscar-winning score for Slumdog MillionaireВ and its spin-off single, вЂJai HoвЂ™ вЂ“ KM Music Conservatory is a lavishly equipped, purpose-built facility offering an extensive curriculum of music and music technology courses, and staffed by a roster of highly experienced musicians and educators. Founded in 2008 by legendary Indian movie composer and producer, A. Rahman, Native Instruments spoke to the musicians behind the ambitious project to find out how it all came together, and more importantly, how it all works.Д¬lassically trained pianist and computer scientist Adam Greig personifies the forward-thinking philosophy of ChennaiвЂ™s KM Music Conservatory, where heвЂ™s held the post of Academic Coordinator since 2011. Having performed throughout India, paying tribute to the music schoolвЂ™s legendary founder A. The Chennai KM Music Conservatory in India recently put together a Maschine Ensemble featuring 15 performers, directed by Yash Pathak, and lead by Academic Coordinator Adam Greig.